The camera now shares the best colors and tones in the series to date. Sony A6600, Samyang 45mm f/1.8 FE AF | 1/80 sec hand-held w/ IBIS, f/1.8, ISO 6400. The Sony just breaches our 14-bit color depth threshold of acceptable image quality when set to ISO 12,800 (measured 9,275 ISO), which is around a stop lower than leading full-frame sensors, but slightly better than the Four-Thirds Olympus at 13.3 bits and just less than the APS-C Canon at 14 bits. Gone are the days of creating custom buttons or relying on Central Lock-On AF for tracking. It’s an excellent camera. Like most users, we too hoped for a redesign here. Of course, if you’re just looking for a solid camera with great image quality, great autofocus performance, and a few other useful features such as stabilization and … The electronic viewfinder has the same standard resolution of 2.36M dots, the identical resolution found in the original a6300 released four years prior. Specifically for Product & Still life Photography. Overall, it works well and makes for a camera that is a strong performer in low light and handheld video applications. Not great for low light and softness toward the edges. Not surprisingly, a strong result in the Sports category usually means a strong result in the Landscape (dynamic range) category, and so it is here. Ultimately, this comes down to your specific needs and circumstances. Is the Sony a6600 a good beginner camera ? Sony has also introduced a new My Dial function. The a6500 footage looked significantly better than the a6300 at high ISOs. UHS-I is the slower format. You can now register spot focus points to specific camera orientations, whether horizontal or vertical. The camera maintains the micro HDMI port, forcing users to use an adapter to convert it to a full-sized HDMI. It inherits 5-axis in-body image stabilization (IBIS) from the predecessor. It has built-in interval shooting, replacing the need for the timelapse app found on the predecessor. Even at ISO 25,600 (ISO 18001 measured), the Sony just dips below our 20dB benchmark for acceptable image quality, staying a little over + 0.1 EV ahead of the Canon EOS M5. It has a native ISO range from ISO 100 to ISO 32,000, expandable up to ISO 102,400. E 35 mm F1.8 OSS Like the Olympus, it has also come down in price, however, it’s overdue for a refresh. The camera can predict movement far beyond the capabilities of these traditional systems and its predecessors. Nevertheless, the Sony A6600 is capable of producing superb-quality images, and the inclusion of its Real-Time Tracking Autofocus for both stills and video, along with a larger battery over its predecessor, make it an appealing upgrade over the A6500. While typical phase-detection AF systems are fast, the addition of an algorithmic approach delivers all-around superior autofocusing performance. However, it does create a slight departure from the traditional design during the process. A maximum dynamic range of 13.4 EV is excellent for this size sensor, and like most typical sensors, it achieves this score at its lowest sensitivity. That isn’t much between the two APS-C models, but to Sony’s credit, the A6600 sensor maintains that difference between the two until ISO 12,800 (ISO 25,600 on the Olympus). With the addition of a more substantial grip, the camera begs for a front adjustment dial. Unlike the competition, this camera doesn’t go as far as to assemble the timelapse movie in-camera. Sony A6600 : Tests and Reviews Scores Specifications Measurements COMPARISON SELECTION (3 selected items max.) The Sony a6600 is the new flagship model in Sony’s famous APS-C sensor mirrorless line of camera. Sony has even introduced a visual Custom Key Settings menu, thankfully. In-body image stabilisation offers support on five axes, and, claims Sony, up to five stops relief. Its stabilization plus added capabilities make it the superior choice between the two offerings. It’s a mirrorless camera with a 24.2-megapixel CMOS sensor, stabilization, unlimited 4K video, and the longest battery life of its peers. While this capability is nothing revolutionary for Sony, their 1080p remains more flexible than its rivals. This may seem surprising since, at a glance, both cameras greatly resemble one another in design and controls. Instead, this must occur in post-production. The combination of the improved build plus increased weight, and a larger grip makes the camera incredibly well balanced. While niche, it is a useful addition for those who shoot portraits and often switch to landscape for alternative framing. Typically, 3.69M dot viewfinders are more in line for what we expect for a flagship body released in 2019. Overall, battery performance has now doubled, Sony claims a 2.23x improvement over the predecessor, allowing the camera to now provides 810 shots per charge instead of 310. However, as this is only the second iteration in the series to feature built-in stabilization, it doesn’t perform to the levels seen in Panasonic or Olympus cameras. Many have wildly anticipated when the new model would come to fill in the predecessor’s gaps, initial release three years prior. It has also ceded some ground to rivals’ smaller Four-Thirds sensors (albeit most likely Sony-made); as for APS-C, Canon has trumped Sony in resolution with a new 32.5MP sensor. Instead, colors are more natural and faithful than ever before. Overall, reading the manual is a must, and significant practice is required to understand this camera. Overall, it stays mostly true to the original compact heritage of the series and remains a small camera. The camera natively shoots 6K resolution, which it then oversamples to 4K UHD. Sony A6600 side by side comparisons. Sony rates the system to deliver 5.0 stops of stabilization, allowing users to shoot ½ exposures handheld. And the debut of this camera represents massive innovation with an inkling of what’s to come as well. It features S-Log2, S-Log3, and HLG profiles from the a7 Mark III and a6400. To fi… In spot or center, the Sony A6600 only considers what is in that spot or the center (per example, if your subject is … For current Sony shooters, it makes an excellent B camera to your existing setup, as it now offers the identical battery, capabilities, and color science. The camera lacks an AF joystick, while not a deal-breaker, it would be helpful to add greater versatility in its ergonomics. The camera features SNQ, Slow and Quick, Mode. Lens range is a little limited, though it can access Canon’s vast EF range using an EF-M adapter. In the end, they’ve done well to create the top-performing APS-C cameras available to date. As usual, you can create your own comparisons and in-depth analyses using our interactive image sensor ranking tool. Ergonomics, specifically, are a notable improvement over its predecessor. Standard Sony, they’ve hunkered down with their standard logical structure and organization for the menu systems. The Sony A6600 doesn’t compare quite so well in the Portrait (color depth) category. Like its older brother, the Sony a6600 features a 5-axis image stabilization which is very useful for handheld shooting. It could be a sufficient option for sports and wildlife applications. While the camera itself doesn’t introduce much grounding improvements in and of itself, it does pull from the best specifications from the predecessor. Despite the compact dimensions, there’s a 2.3 M-dot EVF and a 3-inch, 921k-dot touchscreen LCD that can tilt 180 degrees for vlogging and selfie use. Sony A6600 and Sony A7 II sensors have been tested by DxO and the results show that A7 II has a better overall score of 90, 8 points higher compared to A6600… However, it does feature a slightly deeper buffer, now at 40 RAW + JPEG images in a row. Though, its single UHS-I slot will be a slight hindrance compared to a rival who employs UHS-II compatible slots. In terms of video, it boasts a broad range of capabilities and excellent flexibility. Subject tracking also tends to lose the subject during video much more often than in stills. How does this camera now compare to the previously released a7 Mark III? A continuous shooting rate of up to 11 fps is possible, with AF and auto-exposure saving to two slots—albeit these are for Memory Stick Pro and SD (with support for the slower UHS-I standard). Thank goodness. For photographers, this is an excellent camera with its industry-leading autofocusing system. Unfortunately, you cannot enable tracking in video by half depressing the shutter, either, as you do in stills. The a6600 further differentiates itself by offering in-body image stabilization, which is still a rarity among APS-C cameras. Overall, users should seriously consider taking care when shooting in 4K, be it vlogs or run & gun style videos. Like the a6400 before it, this camera also removes the artificial 29 minute and 59 seconds movie record limit. Infuriatingly, Sony still ignores years of smartphone innovation and overlooks, extending the touch capabilities even to support swiping between images during playback. Gone are the days of looking at a list and guessing. Thankfully, users can assign the shutter as a movie start/stop, which is an excellent and much needed alternative. Outside of this, the display also supports touch shutter and can act as an AF touchpad when composing via the viewfinder. Copyright © 2008-2020 DXOMARK. All three in our database—the M100, the M5, and the M56—perform similarly, though the 24.2MP Canon EOS M5 is arguably the closest direct competitor to the Sony A6600. It also makes for an excellent replacement for those looking for a capable travel option in place of a full-frame camera. It features two custom shooting modes on the Mode selector dial, which allows users to customize and preset shooting parameters for immediate access. Its release has allowed Sony to deliver the best APS-C camera of their lineup to date, and finally, a complete system. It certainly outperforms the Canon EOS M5 for color depth at low to mid sensitivities, but even then, the Olympus has a marginally higher color depth at ISO 400 (measured ISO 162). This system is the most notable addition to this particular camera. It lacks a built-in pop-up flash, a feature found on the predecessor. A strong result in the Sports category means that the A6600 has low noise and good dynamic range, but it’s worth remembering that the results in ISO values in this category are a function of SNR and dynamic range. There’s also some evidence that the Sony A6600 has changed its behavior in sensitivity from ISO 200 onwards. There’s also Wi-Fi and USB 2.0 data transfer, plus NFC for connection to mobile devices and Bluetooth for location data acquisition. In this case, the rolling shutter is very obvious when panning during 4K recordings. The A6600 achieves a maximum dynamic range of 13.4 EV at its expanded setting of ISO 50, and it also has an excellent high ISO dynamic range. Not only that, but the system now sports both Face and Eye Detect AF for humans and animals, updated with Sony’s latest real-time tracking algorithms. What are the best lenses & bundles for the Sony a6600? As far as low-light shooting goes, the A6600 is one of the best APS-C cameras on the market, with usable shots up to ISO 12,800 and beyond. Many will debate whether this camera offers enough value to pull existing users from other ecosystems over to Sony. This should help with stills shooting in low light, to be sure, but also combines with excellent autofocus tracking to make it the best crop-sensor video shooter Sony currently sells. If your budget allows purchasing this camera, the reality its the absolute best offering in Sony’s APS-C lineup to date. Due to IBIS low ISO is possible even I low light and that is richer color and no noise. The Sony A6600 is the follow-up to the A6500, and is now the premium camera in the company’s range of rangefinder-style, mirrorless interchangeable-lens models that feature an APS-C sensor. Even so, images from the Sony A6600 sensor are slightly cleaner than those from the Canon EOS M5 up to ISO 3200 (ISO 2207 vs 2516 measured), and up to ISO 6400 (ISO 2797 measured) on the Olympus, which only highlights how arbitrary manufacturers’ settings can be. This oversampling provides exceptionally sharp footage with resounding details and pleasing colors, all without any pixel binning. The A7 III features a vast array of focus areas: 693 phase detection and 425 contrast detection points that cover 93% of the frame. Vario-Tessar T* E 16-70 mm F4 ZA OSS, Sony NPFZ100 Z-series Rechargeable Battery, Sony 64GB High Performance Class 10 UHS-1/U3 SDXC. Sadly, the movie record button remains in the same awkward recessed position on the camera. It lacks Sweep Panorama mode, a useful feature found on all the predecessors but is surprisingly missing here. If you mount a shotgun microphone or receiver onto the hot shoe, it blocks the majority of the screen when articulated, rendering it mostly useless. This new capability allows the camera’s autofocus to select dynamically between tracking AF and eye and face detection AF modes, without additional user input. Like the Sony, Canon’s mirrorless M models also adopt an APS-C size sensor, though they’re typically slightly smaller than the Sony sensors by a few millimeters. When shooting in low light, the A6600 is rated to focus from around -2 EV to 20 EV (ISO 100 at f/2.0), so it should prove fairly capable in low light. This addition allows users to finally monitor recorded audio without the need for external devices, such as a recorder, to do so. Sonnar® T* E 24 mm F1.8 ZA, E 50 mm F1.8 OS All rights reserved. Did they go too far? Real-Time Tracking AF for stills and video, Native ISO 100–32,000, with expansion to ISO 50–102,400, 4K UHD/30fps video, Full HD at up to 120fps. The wider your Aperture, the more light you'll get onto the sensor of your camera. More importantly, with the exception of ISO 200 (measured 142), the Sony has a wider dynamic range than either rival at every sensitivity setting up to ISO 102,400. Nonetheless, it still proves incredibly beneficial for both stills and videos, so we’re glad to see it return. We’ll also look at the 24.2MP Canon EOS M5. It can now shoot 4K video in HDR as well, further improving the camera’s dynamic range and adding slightly more detail. In today’s post, we find out what’s changed, what’s new, and how it fits into Sony’s existing lineup of mirrorless cameras. To learn more about cookies, including how to disable them, view our, Two cards slots: single SD UHS-I + Memory Stick Pro. Sure, the 16mm lens has a ton of distortion, but that's to be … In challenging light, such as a combination of very bright lights and dark shadows, or backlighting, the a6600 delivered well-balanced exposures and dynamic range with great detail in most situations. The change of sensitivity behavior is clearly noticeable early on, between ISO 200 and ISO 400. The camera now total four distinct custom buttons, deliver the best customization of the entire series. The a6600 has 425 phase and contrast detection po… However, Sony has improved the build quality, supplying it with a robust magnesium alloy construction. With a well-rounded feature set, the Sony A6600 is an attractive camera at a relatively affordable price. Click on the score chart above to open the Sony A6600 product page. This lens is unmatched in quality and low light performance when compared with the other mid-range zooms Sony previously … Overall, if autofocus is crucial to you, this camera offers industry-leading performance and delivers a9 capabilities into an affordable APS-C body. The A6600’s nearest competitor in terms of sensor size is the one it replaces, the Sony A6500. Of course, as this is the flagship camera, one can easily question why it doesn’t inherit a more modern 26 or 30-megapixel sensor, which inevitably caused disappointment. This gives the Sony an advantage when capturing high-contrast scenes at higher ISOs (such as when hand-held, for instance). Maximum dynamic range and color sensitivity of the M5 is 12.4 EV and 23.4 bits, respectively, while its low-light ISO score is just 0.2 EV behind at ISO 1262. Noise is well managed up to around ISO 6400, when it starts to become evident even at relatively small sizes, such as A4. It has a native ISO range from ISO 100 to ISO 32,000, expandable up to ISO 102,400. Yet, it features much of their capabilities while maintaining the design cues from its original heritage, allowing it to remain small and compact in form factor. Physical and ergonomic changes are some of the significant updates seen in this particular release. When reviewing images in Playback mode, the camera now jumps directly to the focus point, which is helpful to identify where the camera focused quickly. On the A6600 there are 425 phase-detection contrast detection points that cover 84% of the frame, with the system working only working down to -2EV low-light. And a better alternative to going full-frame altogether. Its main advantages are smaller form factor, cheaper APS-C lenses, 4K HDR, and Real-Time AF. It features a Shutter Auto White Balance lock, which maintains a set white balance during a continuous burst for a more consistent color. While not identical, it does provide enough versatility for manually controlling exposure. But, with the decision to remove the popup flash, space now goes to the addition of an extra custom button, C3. While the autofocusing system of this camera is excellent, the tracking it offers is enabled solely via the touchscreen during video recording. It is an excellent choice for those seeking a hybrid all-in-one camera and one that appeals to both filmmakers or budding videographers alike. E 55-210mm f/4.5-6.3 OSS However, it uses the same 14-bit RAW format, color science, and the latest image processing as the a7 Mark III and a9. It now features full-time Eye autofocus during video recording, and Real-Time AF inherited from the flagship a9. But, in short, yes, it can, and it will work for many users. Opinioni, caratteristiche tecniche e foto scattate con la Sony A6600, una fotocamera mirrorless con sensore APS-C (1.5x) da 24.2 megapixels prodotta dal 2019. Metering mode refers to the way the Sony A6600 reads the light and sets the exposure. Even the Canon curve is similar from ISO 3200 onwards, despite the different measured values. DXOMARK invites our readership (you) to post comments on the articles on this website. 2019 was Sony’s opportunity to assert its dominance in the APS-C sphere. Paired with a Sigma 16mm f/1.4, the a6400 is a low-light monster, creating images and videos with beautiful contrast and detail. I just saw a YouTube video that compared the low light video performance of the a7sii, a6500, and a6300. It also trumps the Canon at ISO 100 (measured ISO 69) with a dynamic range that is +1 EV wider. If you want a lens to interchange between your A6600 and a full frame camera, then you should look at the Sony 55mm F/1.8 , but no reason to spend that much if you’re only using the lens on the A6600. It is a perfect option for those of you who find the menu here poorly organized or want more immediate access to specific features or settings. All three sensors share similar maximum color depth at their minimum ISO settings. Unfortunately, the release of this camera does little to change or improve on the overly complex organization. In low-light scenarios, the A6600 still focuses quickly and we only noticed a bit of hunting when shooting distant objects or at full zoom. Sure, it’s not a new generation in Sony’s APS-C lineup yet. This camera does little to improve on the available video frame rates, bit rates, or codecs to make the camera more competitive at this price point. Manny notes that this combination is likely the best you can get in terms of a Sony APS-C setup, and it's hard to disagree. It’s positioning on the far left corner prevents your nose from unnecessarily interacting with the touchscreen during use. It’s the first Sony APS-C camera outfitted with the new NP-FZ100 battery, an addition initially introduced with the newer Sony a7 models, namely The a7 Mark III. The camera still features the same 24.2-megapixel CMOS sensor found on all other previous a6000 series cameras. It has built-in focus magnification and focus peaking. At 30dB, where we measure ISO for our Sports score, the Sony a6600 has around a +0.3 EV advantage over the Olympus, but only around +0.1 EV over the Canon. It only shoots 8-bit 4K video, 4:2:0 internal, and 4:2:2 external. Thankfully, you can offset the hot shoe by adding a bracket, which eliminates this particular design flaw. Sony has even generously endowed the camera with much of the capabilities from their higher-end full-frame cameras. The A6600 achieves the maximum dynamic range at its expanded setting of ISO 50 (ISO 70 measured), though ISO 100 offers an identical result. In the end, it makes all previous iterations in the series mostly irrelevant for those who are new to Sony. The final, and immediate question, is considering the cameras starting price, does it offer enough to forgo Sony’s full-frame a7 Mark III? It features Movie W/Shutter, allowing users to program the shutter as the movie start/stop button. As we’ve already mentioned, the Olympus OM-D E-M1 Mark II is a premium model that is pitched at a similar market segment as the Sony A6600. It shoots 4K UHD up to 30 fps and 1080p full HD up to 120 fps. It inherits the Star Menu feature from the a6400, allowing users to create a custom menu to reduce the painstaking need of deep menu dives to find applicable settings. Compared to the a6500, this addition represents greater flexibility, though still matched by Sony’s cheaper a6100 and a5100 cameras. For vloggers, this is among the best vlogging cameras on the market to date. The question remains, is enough to justify the demanding price? However, you can use the SNQ mode to perform a timelapse movie, though only at 1080p resolution. This addition has afforded the camera with a larger and more pronounced grip, which is more suitable for larger hands. In today’s market, Panasonic and Sony are the only two manufacturers who offer this particular removal. However, in hand, you immediately feel the difference in build quality and form. It now has a total of 4 custom buttons, C1-C4. As mentioned previously, the camera inherits the same sensor from the predecessors, which still suffers from rolling shutter. Video capture is 4K/30p full-pixel readout without binning from essentially a Super-35mm area with HLG and flat log options. E 18-135mm f/3.5-5.6 OSS It’s interesting to compare the A6600 with the Micro-Four-Thirds Olympus OM-D E-M1 Mark II. Even so, the Sony A6600 captures an extra +0.56 EV more than the smaller Four-Thirds sensor in the Olympus at its lowest sensitivity setting, ISO 200 (measured ISO 83). Its release does represent a new level of capability in the APS-C world, however. There’s a lot to like about this camera, but a few other things are frustrating, too. It represents the merging of two distinct releases from the manufacturer, the a6400, and a6500. Especially when shooting in low light conditions or at very high shutter-speeds, you should look for a lens with an aperture below F2.8. It scores camera sensors for color depth (DXO Portrait), dynamic range (DXO Landscape) and low-light sensitivity (DXO Sports), and also gives them an overall score. Sadly, Sony still forgoes that with this camera, we’re not sure why they keep neglecting this particular addition on the a6000 series cameras. With that, you can shoot as long as your battery and SD card allows. I remember when the a6500 was first announced Sony claimed it would have better low light performance, but so many reviews of … Its release takes all the best technology and improvements from previous iterations in the series, combining them into a single unified body. While this resolution is more than sufficient for most users, the sensor itself suffers from a significant amount of rolling shutter. In this review, we have compared the Sony A6600 to its most relevant rivals from other brands. Click here to open our interactive DXOMARK image sensor ranking tool. It just oozes that aura of quality. Gone are the days of artificial-looking colors, especially in skin tones. Read more about our Comment Policy. This addition allows users to set one of the custom buttons to alter the functionality of the rear dial and control wheel’s default settings. In addition, the Sony FE 70-200mm F2.8 GM & FE 100-400mm f/4.5-5.6 GM OSS lenses are the ultimate options with pro-grade image quality and build, but they are too expensive for the Sony a6600 users. These additions allow the camera to deliver crisp and clear images with excellent dynamic range. Users can expect usable images up to ISO 6,400, where the details are sharp, with only minor color noise in the shadows. The camera remains incredibly complicated and cumbersome to navigation, even for existing users. Scopri il prodotto Fotocamera α6600 premium con APS-C e attacco E di Sony & esplora tutte le caratteristiche della gamma Fotocamere. Although it has a very good maximum color depth of 13.4 bits at its expanded setting of ISO 50, it doesn’t fare quite so well after that, especially at mid and high ISOs. The amount of times you may want specific control of focus is rare with this camera. However, if you take ease while panning in 4K, you will be pleased with its stabilization, robust autofocusing, headphone, and microphone ports. Considering the majority of the competition has UHS-II compatible slots, some of which even provide dual SD cards, this is seriously disappointing. In terms of design, the camera follows the same logical structure and cues as previous iterations. It maintains the 11 fps continuous burst rate with mechanical shutter and autofocus from the predecessor. While many may claim it lacks the revolution typically delivered by Sony. That slight difference makes this camera above all apc cameras recently launched. What are some of the goods, bads, and uglies of the Sony a6600? Interestingly, it even sports the most comprehensive color and dynamic range control available of any camera to date. Sony A6600 versus rival model with similar score. Sony changed the dull grey focusing area of the predecessor to a bright white selection instead. We don’t understand this logic here. While simultaneously providing an extra level of professionalism video shooters appreciate. While the camera itself doesn’t introduce much grounding improvements in and of itself, it does pull from the best specifications from the predecessor. Can this camera defeat one of the most popular camera releases of 2018? It houses a 425 AF point system with a combination of both phase and contrast-detect points covering 84% of the imagining area. Like its forerunner, the new model features a 24.2 MP Exmor CMOS sensor and in-body image stabilization (IBIS) with compensation up to 5 stops; however, the A6600 includes Sony’s vaunted Real-Time Tracking Autofocus for both stills and video. This implies that the Sony A6600 delivers much better results in low-light situations, but we are yet to see how this will play out in practice.
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